德加素描速写《迭戈·马泰利肖像研究》高清图片

作品简介

1879年春天，德加为他的好友迭戈·马泰利(Diego Martelli)绘制了两幅肖像画。尽管这两幅画作极为相似，但从中仍可看出德加在尝试不同的构图形式。针对这两幅画作，现存七幅预备性习作，不过其中一些似乎与其中一幅画作的关联更为紧密。这幅习作是所有预备性素描中尺寸最小、最为简略的，很可能德加在绘制这两幅肖像画时，它就是最初的构思(première pensée，即“最初的想法”)。他用浓重的铅笔线条勾勒出马泰利魁梧的身形轮廓。背景中的桌子和画作仅用寥寥数笔示意，而最终画作中出现的马泰利的个人物品，在这幅习作中均未呈现。这幅即兴习作旨在捕捉模特的姿态与神情。德加油画作品《迭戈·马尔泰利》。

Degas painted two portraits of his good friend Diego Martelli in the spring of 1879. The paintings, although very similar, show Degas experimenting with different formats. Seven preliminary studies exist for these paintings, but some seem to relate more to one of the paintings than the other. This study is the smallest and sketchiest of all the preliminary drawings, and was probably Degas’spremière pensée(first thought) for both the portraits. He sketched the bulky figure of Martelli, using strong pencil lines to outline his frame. The table and the picture in the background are indicated by a few lines, but none of Martelli’s belongings that appear in the finished paintings are present. This immediate study was intended to capture the pose and attitude of the sitter.