罗丹雕塑作品《夏娃》高清图片

作品简介

罗丹的《夏娃》以羞耻与防卫的双重姿态，一手环抱上身，另一手掩面。整个体态连同左手的防御性动作，皆是对人类堕落的具象化诠释。这件雕塑创作于1881/82年间，原是为《地狱之门》大型项目所作的首批作品之一。然而因模特怀孕，石膏模型最终以未完成状态留存在工作室。直至1899年，罗丹仍坚持展出该作品——正是这种未完成性恰恰成为其艺术的重要注脚：《夏娃》完美诠释了他提出的"modelé"(造型)理念，即摒弃"无价值"的细节。与此同时，罗丹通过差异化的表面处理及相应的光影游戏，赋予雕塑以生命律动。

Both shamefully and protectively, Rodin’s “Eve” wraps one arm around her upper body and uses the other to hide her face. The entire posture as well as her left hand’s defensive gesture are an expression of the realisation of the Fall. The sculpture was one of the first to be created in 1881/82 for the large project of the “Gates of Hell”. However, due to his model’s pregnancy, the plaster model remained unfinished in the studio. In 1899, Rodin still exhibited the sculpture because it was precisely the state of unfinishedness that was to prove significant for his work: “Eve” illustrates his important concept of “modelé”, the relinquishment of “worthless” details. At the same time, Rodin enlivened his sculptures with different types of surfaces and the associated play of light.