雷诺阿油画静物《瓶插玫瑰》超高清大图

作品简介

雷诺阿早年曾是一位出色的歌者，本有志于音乐事业，却因家境所迫，十三岁便辍学进入瓷厂担任彩绘学徒。

在这幅静物画中，他以丰富的色阶描绘七枝玫瑰：从深浅各异的红、暖调的白、浅黄直至粉彩，皆跃然画布。艺术家曾坦言：“花卉写生能使我心神松弛。不同于面对模特的紧绷状态，描绘花朵时，我大胆尝试色调与明暗，纵使画布尽毁亦无所顾虑。”他尤钟爱玫瑰——其饱满的轮廓常被他喻为女性躯体的曲线。

1861年，雷诺阿与克劳德·莫奈(1840–1926)相识，后共用画室。莫奈对其艺术产生深远影响，此作可见端倪：迅疾的笔触、薄擦而成的朦胧背景，以及花瓣处堆积的厚涂颜料(impasto，厚涂法)，皆为印象派标志性技法。

Renoir was an excellent singer who wanted to be a musician, but for financial reasons left school at age thirteen to work as an apprentice painter in a porcelain factory.

The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, "'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model. When I paint flowers, I put down tones, I boldly try values, without having to worry about losing a canvas.'" He was particularly fond of roses, whose full, rounded shapes he likened to the female body. In 1861, Renoir met Claude Monet (1840–1926) and later shared a studio with him. Monet became an important influence on Renoir's art, as can be seen here in the rapid brush strokes, thinly scuffled background, and buildup of paint (impasto) in the blooms.