李嵩界画《焚香祝圣图》高清图片

作品简介

设色界画层楼琼宇。平台阑楯之际，庭燎高烧，老翁拱揖遥祝，侍女六人执事。款书但馀「臣李」二字，以画风论，当是李嵩。为故宫名绘集册中之一开，著录今载故宫书画录卷六‧二0八页。

A multi-storied house many roofs is rendered in the finely-detailed, ruled lines of the "boundary painting" manner. At the outer edge of the terrace, torches put forth tall flames as an elderly man bows before an altar table. He is attended by six female figures. Although the signature conslsts only of the two worcls "Servant Li", on the basis of style an attribution can be made to Li Sung. The painting is a leaf in the album Ming-hui chi-chen.

两层重檐歇山顶殿阁，上层有外廊、平坐(木结构的平台)、钩栏、雁翅板绕殿身一圈，下层为门厅。建筑外檐装修采格子门，另沿副阶(绕主体而建的一周外廊)、平坐外缘立柱，上部近檐口处加装横披窗。飞椽、檐椽、斗栱细绘，昂嘴是北宋平斜的「批竹昂」。 殿旁依岸起筑平台，为帝后赏景、焚香、祈祷神灵护佑之所。画上款仅馀「臣李」二字，以画风论，应是李嵩所作。

The main hall in this painting is a structure with a double-eave, hip-and-gable roof featuring “flying” eaves, soffit boards, and lintels and columns in delicately-painted wood befitting the uppermost classes in society. The level below is built along the hillside to create a wooden platform, the columns extending into the ground. It also has cusped openwork below and a viewing platform above, surrounded by a railing with Buddhist crosses. The accurate rendition here is a feature of Song official architecture, making this valuable reference material for the study of imperial garden architecture at the time. Inside the building is a meticulous furniture setting, the moon-viewing platform outside being spacious for the imperial viewing of scenery, burning incense, and making prayers. All that remains of the signature on this work are two characters for “Servitor Li,” but judging from the style, it is probably the court artist Li Song.

主殿为重檐歇山顶，木作构件飞椽、椽檐、斗栱均细绘，属于等级尊贵的建筑物。下层殿旁依坡岸起筑木造平台，栽柱入地，更有壸门装饰，其上建平座，「卍」字钩栏环绕。准确表现出宋代官式建筑风格特点，为皇家园林与造园技术提供宝贵的参考资料。 画中室内家具陈设讲究，户外宽敞月台为帝后赏景、焚香、祈祷之所。画上署款仅馀「臣李」二字，以画风论，应是李嵩(约活动于1170-1255)所作。

In this work is a two-storied hall with a doubleeave, hip-and-gable roof. The upper story has a veranda, an elevated terrace, a lattice railing, and yen-ch'ih-pan clapboards. Decoration includes lattice windows and doors. The outer walkway is supported by bracketing with columns, while the lintels are hidden behind latticework. The flying and eave rafters are all detailed, and the double cantilevers have "split-bamboo descending beaks," often found in the Northern Sung (960-1126). By the side of the hall is a terrace for making offerings, burning incense, or viewing. A partial signature reads, "Servitor Li." Judging from the style, this work probably was done by Li Sung. This is the 3rd leaf from the album "Ming-hui chi-chen."

作者款识

臣李□。

技法

人物衣纹描法(匀称线条)、工笔、界画、皴法。

印记

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