李嵩工笔花卉《花篮图》高清图片

作品简介

李嵩，生卒年不详，浙江钱塘人，曾为宋徽宗(1101-1126在位)宣和间画院待诏李从顺收为养子。历任南宋光、宁、理宗朝(1190-1264)画院待诏，工画人物，尤长于界画。 本幅选自〈历代集绘册〉，画藤篮中满盛山茶、水仙、绿萼梅、瑞香和丁香等花卉。以篮取代瓶，为瓶插式构图方法的另一表现方式。幅中各花卉交织，笔法工整稳健，用色鲜明丰富而不浮动、无火气。展现精丽严谨面貌，却毫不繁琐板滞，为典型宋代院画风格。

Li Song, whose birth and death dates are unknown, was a native of Qiantang in Zhejiang adopted by a Painter-in-Attendance, Li Congshun, of the Painting Academy during the Northern Song Xuanhe reign of Emperor Huizong (r. 1101-1126). Li Song also went on to become a Painter-in-Attendance, serving the courts of the Southern Song emperors Guangzong, Ningzong, and Lizong, who ruled from 1190 to 1264. Li Song was good at painting figures and excelled at ruled-line painting. This work, from "Album of Collected Paintings Through the Ages," depicts a rattan basket filled with camellia, narcissus, green-calyx plum blossoms, daphne, and lilacs. Using a basket instead of a vase, this is another way to express the vase arrangement of flower painting composition. With all different kinds of flowers intersecting, the brushwork here remains careful and steady, the coloring bright and rich but not fluctuating or temperamental. It thus retains an appearance of refined beauty and careful attention. There is also not the least bit stiffness in the complex detail, making this a typical example of the Song dynasty Painting Academy style.

作者款识

李嵩画。

技法

工笔

收藏著录

石渠宝笈初编(重华宫)，下册，页735;

故宫书画录(卷六)，第四册，页240-243。

印记资料

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