埃德加·德加油画作品《舞者饰带》超高清大图

作品简介

芭蕾舞是德加在其艺术生涯中反复描绘的主题。相较于公开表演，他更常描绘幕后的舞者，她们或是正在练习，或是等待上场，又或是像在这幅画中那样，正在系紧舞鞋的鞋带。

这幅画可能描绘了一位从四个不同视角呈现的舞者。这位年轻女子被置于一个未明确界定的场景中，周围仅有几抹随意涂抹的色彩，颜料涂抹得如此自然，以至于都流淌和滴落了下来。德加甚至用拇指在前景处添加了几个圆圈。这种大胆的手法，在小型素描中或许尚可接受，但当它呈现在一幅六英尺高的画布上时，想必让同时代的艺术家们大为震惊。同样激进的是将一个单一形象的多个视角结合在一起的想法。德加这种不寻常的表现手法或许受到了埃德沃德·迈布里奇(Eadweard Muybridge，1830-1904)摄影作品的启发。

The ballet is a subject Degas returned to again and again over the course of his career. Rather than public performances, he often depicted dancers behind the curtain, practicing, waiting, or, as in this painting, lacing up their shoes.

This painting may depict a single dancer seen from four different viewpoints. The young woman is placed in an undefined setting, surrounded by mere wisps of color, applied so spontaneously that the paint ran and dripped. Degas even added the circles in the foreground with his thumb. Such audacity, while acceptable in a small sketch, must have shocked the artist's contemporaries when presented on a six-foot canvas. Equally radical is the idea of combining multiple views of a single figure. Degas's unusual presentation may have been inspired by the photographs of Eadweard Muybridge (1830-1904).