拉斐尔油画肖像画作品《马达莱娜·多尼肖像》高清图片

作品简介

《马达莱娜·多尼肖像》是意大利文艺复兴大师拉斐尔约1506年创作的油画作品，现藏于佛罗伦萨乌菲齐美术馆。此画为表现新婚商人夫妇的双联肖像之一。另一幅为《阿尼奥洛·多尼肖像》。

阿尼奥洛·多尼虽于1503年迎娶马达莱娜·斯特罗齐，但拉斐尔这组肖像很可能绘制于1506年——艺术家对达芬奇艺术研习最深入的时期。肖像构图明显借鉴《蒙娜丽莎》：人物在画面中的空间处理如出一辙，双手交叠的姿势亦复如是。然其低地平线的风景背景通过均匀光线精准塑造人物体量，这种人物与景致的关系，与达芬奇作品中自然景观的压迫感形成鲜明对比。

此作最显著的特质在于贯穿画面的静谧气质，即便对华服珠宝（暗示夫妇财富）的极致刻画亦无损这份宁静。所有元素——包括次要细节——皆服务于整体精妙的平衡。

这组肖像不仅通过表现对象产生关联，更以其鲜明的风格统一性，标志着拉斐尔艺术创作成熟期的开端。
 

The Portrait of Maddalena Doni is an oil painting by Italian Renaissance master Raphael, made c. 1506. It is housed in the Uffizi in Florence.
The portrait is one of a pair that depict a recently married merchant and his wife.

Agnolo Doni married Maddalena Strozzi in 1503, but Raphael's portraits were probably executed in 1506, the period in which the painter studied the art of Leonardo da Vinci most closely. The composition of the portraits resembles that of the Mona Lisa: the figures are presented in the same way in respect to the picture plane, and their hands, like those of the Mona Lisa, are placed on top of one another. But the low horizon of the landscape background permits a careful assessment of the human figure by providing a uniform light which defines surfaces and volumes. This relationship between landscape and figure presents a clear contrast to the striking settings of Leonardo, which communicate the threatening presence of nature.

But the most notable characteristic that distinguishes these portraits from those of Leonardo is the overall sense of serenity which even the close attention to the materials of clothes and jewels (which draw one's attention to the couple's wealth) is unable to attenuate. Every element - even those of secondary importance - works together to create a precise balance.

These works, linked not only by the kinship of the subjects, but also by their evident stylistic homogeneity, mark the beginning of Raphael's artistic maturity.