拉斐尔宗教画作品《无髯圣约瑟的圣母》高清图片

作品简介

《无髯圣约瑟的圣母》是拉斐尔早期创作的一幅油画，约完成于1506年，现藏于埃尔米塔日博物馆。作品描绘了圣约瑟、圣母玛利亚和圣婴基督。

该画通常被认为是拉斐尔在1505至1506年间短暂停留乌尔比诺时为圭多巴尔多·达·蒙特费尔特罗所绘的小型圣母像之一，乔治·瓦萨里曾在该城见过这些作品。关于埃尔米塔日藏画的最早确切记载可追溯至18世纪，当时它可能属于巴黎昂古莱姆公爵的收藏。后转入皮埃尔·克罗扎的收藏，1772年几乎全部被俄罗斯的叶卡捷琳娜二世购得，成为未来埃尔米塔日博物馆的核心藏品。

19世纪初，这幅画经过修复，促使亚历山大·普希金创作了诗歌《文艺复兴》，并在《莫扎特与萨列里》中引用该作品，让他笔下的萨列里说道："当画家无能时我并不觉得可笑/这玷污了我心中的拉斐尔圣母"。

The Madonna with Beardless Saint Joseph is an early painting by Raphael, executed c. 1506, now at the Hermitage Museum. It depicts Saint Joseph, the Virgin Mary, and the Christ Child.

It is usually thought to be one of the small Madonnas painted by Raphael for Guidobaldo da Montefeltro during his one of his brief stays in Urbino between 1505 and 1506, and which Giorgio Vasari saw in that city. The earliest definitive mention of the Hermitage work dates to the 18th century, when it was probably in the Duke of Angoulême's collection in Paris. From there it passed into the collection of Pierre Crozat, which was bought almost in its entirety by Catherine II of Russia in 1772, forming the core of the future Hermitage Museum.

The work was restored early in the 19th century, leading Alexander Pushkin to write the poem Renaissance and to refer to the work in his Mozart and Salieri, having his version of Salieri state "I don't find it funny when the painter is useless / It stains Raphael's Madonna for me".