传巨然山水《寒林晚岫图》超高清大图

作品简介

五代南唐巨然寒林晚岫图，轴， 巨然，本幅139.7x55.8厘米，纸本，台北故宫博物院藏。

本幅画群山溪壑，林树弥望，山石皴纹多以湿笔染破，明晦隐现，轮廓模糊，特饶山野烟雾之致。本幅无作者款印，依据旧签，定为巨然之作，然笔墨则与江参(活动于十二世纪初)较为近似。巨然(十世纪)，南唐锺陵人，为开元寺僧。南唐亡(九七五年)，随李后主煜降宋，至汴梁。工画山水，师事董源。善状烟岚景象，臻于妙境，与师齐名，并称董巨。

Ch'-jan, a native of Chung-ling during the Southern T'ang dynasty, was a monk of the K'ai-y'an Temple. When the Southern T'ang dynasty fell in 975 A.D., he submitted to the Sung and went to the capital at Pien-liang (K'ai-feng). Ch'-jan, a landscape painter, is noted for his exquisite paintings of mist-covered mountains. His fame was as great as that of his teacher, Tung Y'an, their names often being coupled together. In this painting, wood-covered hills and streams that wind through ravines stretch into the distance. The texture strokes of rocks and mountains have been applied with a moist brush so that light and shadow merge and outlines are vague, especially where mist swirl around the mountains. This painting bears neither signature nor seals, but is a painting by Ch'-jan according to the label. However, the brushwork and use of ink resembles more closely that of Chiang Shen (early 12th c.).

题跋

黄宣：巨然秃阿师。清气喷满手。触笔天籁生。寸楮敌璚玖。黄宣。印记：彦伯。

杨维桢 ：巨然轻岚淡墨。自为一体。其下笔苍古。若不经意。而使文人巧夫。再三摸索。终不可到。真与凡远耶。铁篴叟杨维桢。印记：会稽杨维祯印、廉夫。

陶宗仪：晚岫寒林泼眼明。妍鲜墨晕曙烟澄。点画自多高世意。峰头水面任天真。天台陶宗仪题。印记：陶氏九成。

超然：山畏峤披清。櫺橑胼懽。水娱山栖。桃源辋川。悠悠胜情。全露笔端。实巨灵手。信小乘禅。超然题老巨寒林晚岫。

清高宗：名迹由来称巨然。却因装潢失其全。四家题各出手眼。顿置斯图不少焉。戊申(一七八八年)清和上澣御题。印记：古希天子、犹日孜孜。

技法

苔点、皴法、披麻皴。

印记资料

收藏著录

石渠宝笈续编(御书房)，第四册，页1916;

故宫书画录(卷五)，第三册，页25-26;

故宫书画图录，第一册，页97-98。