拉斐尔作品《基督复活》高清图片

作品简介

《基督复活》(1499-1502年)，又称《金奈尔德复活》(得名于画作前主人金奈尔德勋爵)，是意大利文艺复兴大师拉斐尔创作的木板油画。作为艺术家最早期的已知作品之一，该作完成于1499至1502年间，很可能是某幅佚失祭坛画的台阶部分，亦有学者认为其可能是拉斐尔首件有记载的委托作品《巴龙奇祭坛画》的残件(该祭坛画在1789年地震中严重损毁，残片现散藏于欧洲各地博物馆)。此画现藏于圣保罗艺术博物馆。

《金奈尔德复活》是现存最早展现拉斐尔自然戏剧性构图风格的作品，与其师佩鲁吉诺的柔美诗意风格形成鲜明对比。画面通过精妙的理想几何结构统御全局，将场景所有元素交织成充满动感的奇异韵律，使画中人物成为这场独特"编舞"的共同主角。作品虽受平图里基奥和梅洛佐·达·福尔利的美学影响，但其趋向动态的空间布局，彰显了拉斐尔对16世纪佛罗伦萨艺术环境的深刻理解。

1954年圣保罗艺术博物馆购得此画。时任馆长彼得罗·马里亚·巴尔迪根据罗马帕尔马艺术工作室同僚马里奥·莫德斯蒂尼的建议，基于现存两幅构图草图的研究，将其纳入拉斐尔真迹之列，由此引发关于作品归属的激烈论战。如今学界已基本公认此为拉斐尔真迹，这也是目前南半球唯一收藏的拉斐尔作品。

The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502. It is probably a piece of an unknown predella, though it has been suggested that the painting could be one of the remaining works of the Baronci Altarpiece, Raphael's first recorded commission (seriously damaged by an earthquake in 1789, fragments of which are today found in museums across Europe). The painting is now in the São Paulo Museum of Art.

The Kinnaird Resurrection is one of the first preserved works of Raphael in which his natural dramatic style of composition was already obvious, as opposed to the gentle poetic style of his master, Pietro Perugino. The extremely rational composition is ruled by a complex ideal geometry which interlinks all the elements of the scene and gives it a strange animated rhythm, transforming the characters in the painting into co-protagonists in a unique "choreography". The painting possesses an esthetic influence from Pinturicchio and Melozzo da Forlì, though the spatial orchestration of the work, with its tendency to movement, shows Raphael's knowledge of the Florentine artistic milieu of the 16th century.

The work was acquired by the São Paulo Museum of Art in 1954. Pietro Maria Bardi, former director of the museum, on the recommendation of Mario Modestini, his associate at the Studio D'Arte Palma in Rome, took the responsibility of adding the Kinnaird Resurrection to the body of works of Raphael, based on the existence of two preparatory studies for the composition, starting a heated debate about its authorship. Nowadays, the reference to Raphael is almost unanimously accepted by experts. It is the only work by that artist currently in the Southern Hemisphere.