拉斐尔作品《拿着书的圣母子》超高清大图

作品简介

在这幅画作中，人物形象平衡而宁静，描绘手法简洁自然。清晰的几何结构统领着整个构图——从圣母与圣婴形成的金字塔式布局，到他们面部与身体的理想化几何造型。圣母深蓝色的拱形轮廓将圣婴的身形环抱其中，同时为书本构建出视觉框架，而捧书的相触双手更强化了这一焦点。书页上的铭文引出了《时辰颂祷礼》中的"第九时辰"，这是所有修道院每日必诵的经文时刻。"第九时辰"正是纪念基督受难与牺牲的时刻。圣婴目光投向天国，默想着自己作为人类救赎者将要作出的牺牲。拉斐尔所描绘的不仅是一幅优美的圣母圣婴像，更创造了一件冥想圣物。这种由拉斐尔实现的深邃灵性特质，正是其圣母题材作品备受追捧的根本原因。

In this painting, the balanced, serene figures are described simply and naturally. A lucid geometry organizes the composition, from the pyramidal grouping of the Madonna and Child to the geometric idealization of their faces and bodies. The deep, blue arch of the Madonna’s silhouette encloses the figure of the Child and frames the book, which is further emphasized by the touching hands that hold it. The inscription in the book introduces the ninth hour, or Nones of the Canonical Offices, recited daily by all monastic communities. The Nones commemorates Christ’s Crucifixion and Death. With eyes turned to heaven, the Christ Child contemplates His own sacrifice as man’s Redeemer. Raphael has depicted more than just a beautiful image of the Madonna and Child — he has created a meditation piece. The profoundly spiritual quality achieved by Raphael explains why his Madonnas were in such high demand.